Tuesday, February 17, 2026

Awakenings

     A lot has been written about “the living Earth,” “the spirit of Gaia,” and similar notions. Common to them is a conception of the inanimate as animate: a world alive and aware, not only of itself but of all that dwells upon it and in it. It’s a thesis I’ve touched very, very lightly in In Vino:

     The others hung back as Ottavio directed Fountain to the vat of unclarified Malbec. The Monti vats were made of aged wood bound in black iron bands. They were smaller than those at Broadhead. Their bases rested flat on the villa floor. The room was filled with the aromas of wine, yeast, and fermentation.
     Fountain imperceptibly took command of her host. She urged him close to the vat, took his hands and set them against its surface, moved to stand behind him, slid her arms around his chest, and rested her chin upon his shoulder. They stood thus in silence for perhaps half a minute. Within her embrace, Ottavio Monti trembled as if his strength were being tried to its limits.
     “What is it you feel?” she murmured against his cheek. “Tell me everything.”
     “Wood,” he said. “Rough, warm wood. And...the wine. And...” His voice dropped most of an octave. “And life.” He trembled in her embrace. “It is alive! But the vat is two hundred years old and the wine is grapes crushed to a sauce! How can this be?”
     “All things are alive,” Fountain whispered. “All things are aware. What else do you feel?”
     “I...” His tremor intensified.
     “Tell me, Ottavio Monti.” She squeezed him gently. “It is safe. It is right.”
     “Love,” he whispered incredulously. “Your love. And mine.”
     “All things know love,” she said in the voice of an oracle dispensing a mystical revelation. “And all things respond to love and return it in equal measure. Do you love the wine?”
     “Si, molto.”
     “Then tell it so,” Fountain said. She laid a hand over his heart. “From here, Ottavio. Use any words, any language you like, but tell it that you love it and listen for its answer.”
     The vintner of Villa Monti closed his eyes and bowed his head. Fountain held him snugly.
     Larry, Trish, and Domenico Monti stood transfixed. Ray murmured the Lord’s Prayer under his breath.
     “Gran Dio!” Ottavio whispered.
     He pulled his hands from the vat and dropped to his knees. Fountain released him, ascended the steps to the vat’s rim, took up the dipper that hung there, extracted a cup of wine, and descended. She knelt before Ottavio and offered him the dipper.
     “Taste it.”
     He did. His eyes brimmed over. He handed the dipper back to Fountain.
     “Now do you see?” she said.
     He smiled through his tears and nodded.
     She rose, brought the dipper to the others, and bade them taste it. They did, in turn.
     “Wow,” Larry said.
     “Oh my God,” Ray said.
     “As good as Broadhead’s, maybe even better,” Trish said.
     “Gloria a Dio,” Domenico said.
     Fountain nodded serenely.

     Now and then, I’m blind-sided by the idea. I certainly was when I wrote the above.

     If it’s true, which I doubt, we have no evidence of it. But that doesn’t mean it won’t be true someday. David Brin’s novel Earth toys with that possibility. It’s thematically related to his other “Uplift” tales, in which nonsentient creatures are “uplifted” to sentience through genetic engineering and selective breeding.

     No, I’m not saying I expect it. But the notion itself is appealing. A world alive and aware! What would it do? We worry about extraterrestrials finding us and proving unfriendly. How much worse an enemy would a living, sentient planet be, were it to weigh us in the balances and find us wanting?

     Hey, I’m a writer. Ideas like that one are both the tools of my trade and toys for my imagination. And I have to admit, the idea of uplifting the whole planet is more than moderately ambitious. One must ask who would see it as worth attempting, at what risks and at what cost.

     Anyway, the idea of awakening the Earth itself, calling forth the Weltgeist (or giving it one), found a remarkable expression in melody that I’ve only recently discovered. Hearken to the incredible, angelic voice of Ekaterina Shelehova:

     Did the souls of your ancestors cluster about you as you listened?

     Mine, too.

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