Apologies for the… Stop! Stop! Danger Fran Porretto!
That’s it. That’s the last time I’ll apologize for not putting out free reading material. I’m not under contract. I don’t get paid for this… hobby. I do it out of an impulse, a desire to express myself. And to the extent that my Gentle Readers are edified or entertained by what they find here, I think it’s a generous impulse.
But that’s a tangent, really. I’m about to do a somewhat self-indulgent thing. It occurred to me that no one can stop me! Hah! So brace yourselves, Gentle Readers: I’m about to nostalgize.
I ran across this just yesterday:
π¬ Recorded in December 1964, this unforgettable two-minute performance was captured in one unedited take—no cuts, no tricks, just pure talent. Every note had to be perfect. Decades later, its raw authenticity remains captivating. ✨ https://t.co/wnYRoeyI2d
— Music Vibes ✨ (@GcHa229831) October 27, 2026
In 1964, pop music was still being played on AM radio. That was where I heard that song: WMCA, 570 on your AM dial. I fell in love with it immediately. My singing it around the house drove my father slightly bonkers, but then, it really didn’t matter what I sang. His taste in music was strictly big-band swing.
I didn’t know anything about recording studios or how they worked. Indeed, I didn’t know until yesterday that The Seekers recorded that hit in one take, without subsequent remixing or replacement of anything. But it was a simpler time, with simpler music. Probably a number of other popular songs were recorded the same way.
But I was more transported by the innocence of the song than anything else. Consider the lyric:
There's a new world somewhere
They call the Promised Land
And I'll be there someday
If you will hold my hand
I'll still need you there beside me
No matter what I do
For I know I'll never find another youThere is always someone
For each of us, they say
And you'll be my someone
Forever and a day
I could search the whole world over
Until my life is through
But I know I'll never find another you [Bridge]It's a long, long journey
So, stay by my side
When I walk through the storm
You'll be my guide
Be my guide [Verse 3]If they gave me a fortune
My pleasure would be small
I could lose it all tomorrow
And never mind at all
But if I should lose your love, dear
I don't know what I'd do
For I know I'll never find another you
Pure, innocent love. Un-suggestive, un-ironic. From when the more intimate aspects of such love were deemed private matters, not to be bruited about in public. Before music itself was politicized, turned into a vehicle for “protest.”
Things are different now, aren’t they? Pop songs are laced with all kinds of sexual and political statements. It seems we must hear every “recording artist’s” political views. Laura Ingraham’s suggestion that they shut up and sing has gone unheeded. And don’t get me started on the actors and actresses.
How often do we hear songs like that today?
Dear God, how I want those years back! I know they’re gone, but the feeling of them comes back a little whenever I hear a song like “Another You.” We went badly wrong not long after that. Some of the reasons are obvious, some aren’t. But leave the politics and the sexual revolution to one side for just a moment. The innocence of the period is the greatest loss: the confidence that we could get along, be friends, be lovers, and entertain one another without quarreling over our differences of opinion.
Forgive me, Gentle Reader. Old men can be like this, as I’m sure you know. Today it was too much for me. But I do hope the Seekers found their way to better things. There are so many ways they, like the rest of us, could have lost their innocence. I’d like to think they escaped the snares. Far too many didn’t.